Toward the end of last year, Polygons No. 5 (Oregon Blueberries) was acquired by the Regional Arts & Culture Council for the Visual Chronicle of Portland collection. A special exhibition of all new acquisitions made during 2016/17 is now on view at the Portland Building, through April 21, 2017. Visual Chronicle works normally move around, exhibiting on rotation in different public buildings throughout Portland – so this is a rare opportunity to see many from the collection at once, and probably the only opportunity to see all recent acquisitions together.
Polygons No. 5 (Oregon Blueberries) is also one of the pieces I keep referencing regarding works I’m proposing for PDX-CSA. Learn more and buy in before April 16.
An edition of my first handmade book, A Means of Centering the Mind, also found a home in a collection at the end of 2016, in the Ella Strong Denison Library, Scripps College in Claremont, California.
Acquisitions like these are important: they allow artwork to remain accessible to the public, making sure that culture is not accessible only to the top income-earners; they offer essential financial support, particularly to early- and mid-career artists – even those whose work may not be suited to commercial galleries. The National Endowment for the Arts is responsible for supporting a multitude of organizations across the United States, including the Regional Arts and Culture Council. RACC makes Oregon a great place to be an artist, and I have certainly benefitted directly from their programs.
Unfortunately, the National Endowment for the Arts is on the chopping block in the current proposed national budget. If you are a U.S. citizen, please contact your representatives to let them know that the NEA is essential, and that you are against de-funding the arts.